There is a fascinating review of the movie The Wrestler looking at the religious symbolism and the religious ideas published yesterday. Here is a little taste of it.
Cassidy and Randy each work double lives, between their bodies as commodities and their bodies that have to pay the rent and support their children. Somewhere in all the meat are identities, struggling for birth. Each carries multiple names: Cassidy is “Pam,” while Randy “The Ram” Robinson is actually “Robin Raminski”—his character’s complexity unveils at least three names, as The Ram, Randy, and Robin. Yet, as with religion itself, and multitudes of other social structures, the crux of the matter of identity is the human body in all its aged protuberances, its scarified flesh, its rotund, risqué, and otherwise resolute features.
Read the rest here.